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Ronald Muchatuta's Cecil John Rhodes piecs is revealing, and forms part punk-protest and part gut-reaction. But it is also more. It is a visual and honest represention of a struggle for identity – and in Muchatuta's case even more so as his home language for most of his formative years was the language of Rhodes, suppressing his Shona identity.

 

Muchatuta's technique and talent is such that Rhodes is entirely recognisable despite the fact that onl the top half of his head is visible.

RONALD MUCHATUTA / Rhodes White Black

  • "I remember growing up in Bulawayo and Zvishavane. My dad used to by The Newspaper called – the city chronicles. There were always cartoons at the back, I would cut them out and stick them to the wall, till my bedroom wall became a mess."